The portentous terms and phrases associated with the first decades of the Frankfurt School--exile, the dominance of capitalism, fascism - seem as salient today as they were in early 20th-century. The Routledge Companion to the Frankfurt School addresses the many early concerns of critical theory and brings those concerns into direct engagement with our shared world today. In this volume, a distinguished group of international scholars from a variety of disciplines revisit the philosophical and political contributions of Theodor W. Adorno, (...) Walter Benjamin, Max Horkheimer, Herbert Marcuse, Jürgen Habermas, Axel Honneth, and others. Throughout, the Companion's focus is on the major ideas that have made the Frankfurt School such a consequential and enduring movement. It offers a crucial resource for those who are trying to make sense of the global and cultural crisis that has now seized our contemporary world. (shrink)

A partir da implantação da República, surgiu um movimento de intelectuais que procurou congregar e dinamizar num esforço comum os pensadores de várias áreas do conhecimento, através da revista A Águia, tendo em vista uma nova ordem moral e cívica dentro do ideal democrático. Procurámos dar a conhecer as linhas principais que consubstanciaram o espaço aberto pela revista, as influências recebidas e os debates que a animaram.

A proposta deste estudo é abordar de forma teórica o pensamento do filósofo e cientista político, germano-americano, Eric Voegelin, buscando compreender a relação que promove entre o gnosticismo e a modernidade, tendo como foco sua afirmação de que o gnosticismo é o fundamento da modernidade. Para esta pesquisa, são utilizados como base teórica fundamental dois conceitos de sua teoria: religiões políticas e gnosticismo. Divide-se o trabalho em uma introdução ao tema e três capítulos, seguidos da conclusão. Na introdução, se aborda (...) o contexto histórico-político que fornece o estofo para o surgimento da modernidade e movimentos totalitários; com a biografia do autor, buscam-se elementos essenciais para a compreensão de sua posição de combate irrestrito às ideologias, principalmente ao nacional-socialismo alemão e socialismo stalinista. A partir da crítica ao movimento positivista, que considera a ciência natural e seus métodos o modo por excelência de apreensão da realidade, Voegelin demonstra que a dimensão simbólica, espiritual e transcendente do ser fica relegada a uma posição inferior, inexistente ou banalizada, causando uma deformação da verdade, que pode se manifestar em dogmas ou doutrinas ideológicas. No segundo capítulo, introduz-se sua noção de que o gnosticismo é o fundamento da sociedade moderna, na medida em que a insatisfação com a ordem corrente, a crença e desejo de mudança do indivíduo por meio do conhecimento, se firmam como contrários ao desenvolvimento do ser, apontando uma tendência nos movimentos ideológicos modernos à imanentização da escatologia cristã. No terceiro capítulo, apresentam-se as principais discussões a respeito dos limites e alcances de sua teoria, sua aproximação com uma filosofia da consciência e as possibilidades de utilizá-la para a compreensão dos fenômenos totalitários na atualidade, vistos como uma doença pneumopatológica. Concluiu-se que Voegelin, categórico ao apontar para a necessidade de uma nova abordagem para a ciência social e política, evidenciou uma estrutura religiosa nos movimentos modernos, ditos seculares; o conceito de gnosticismo como fundamento da modernidade, apesar de revisto pelo próprio autor e ainda fomentar controvérsias, pode ser um ponto de partida para estudos complementares, uma vez que enfatiza a necessidade de ampliação da consciência para a restauração da ordem social e política, e de incluir o aspecto transcendente do ser, que se expressa em seus símbolos e em suas experiências religiosas ao longo da história, para a compreensão da modernidade. (shrink)

This paper describes a way of creating and maintaining a `dynamic encyclopedia', i.e., an encyclopedia whose entries can be improved and updated on a continual basis without requiring the production of an entire new edition. Such an encyclopedia is therefore responsive to new developments and new research. We discuss our implementation of a dynamic encyclopedia and the problems that we had to solve along the way. We also discuss ways of automating the administration of the encyclopedia.

: Hypotheses are the first step in scientific and clinical enquiry. They guide all of the subsequent steps in an investigation, and influence data collection, analysis, and interpretation. But how do we build scientific and clinical hypotheses? In both research and clinical contexts, a professional’s idiosyncratic way of perceiving reality, her prejudices and biases will influence the process of hypothesis formulation. We compare the process of formulating a scientific hypothesis in the field of neuroscience with the process of building a (...) clinical hypothesis in the systemic therapeutic approach. This comparison is intended to highlight the biases that influence researchers and clinicians when formulating hypotheses. Our aim is to raise awareness of the most common biases, and to point out how the tools developed by clinicians could be useful to researchers, and vice versa. Keywords: Hypotheses; Clinical Psychology; Neuroscience; Bias; Interdisciplinary Approach La costruzione di ipotesi nella psicologia clinica e nella neuroscienza: similitudini e differenze Riassunto: Le ipotesi sono il primo passo della ricerca scientifica e clinica. Sono la guida di tutti i passi successivi e influenzano la racconta dei dati, la loro analisi e l’interpretazione. Come si costruiscono le ipotesi scientifiche e quelle cliniche? Sia nell’ambito della ricerca che nei contesti clinici le idiosincrasie con cui un professionista percepisce la realtà, i suoi bias e pregiudizi influenzeranno il processo di formulazione dell’ipotesi. In questa sede intendiamo confrontare il processo di formulazione di un’ipotesi scientifica nel campo della neuroscienza e il processo di costruzione dell’ipotesi clinica nell’approccio della terapia sistemica. Questo confronto vuole mettere in luce i bias che influenzano ricercatori e terapeuti nella formulazione delle ipotesi. Il nostro scopo è mettere in luce gli errori sistematici più comuni, mostrando come gli strumenti sviluppati dai terapeuti possano essere utili per i ricercatori e viceversa. Parole chiave: Ipotesi; Psicologia clinica; Neuroscienza; Bias; Approccio interdisciplinare. (shrink)

The self evolved out of a sense of somatic motor orientation and body boundary awareness; and affective states as motivators furthered in conjunction with a sense of self evolutionary speciation. Affective states form to a greater extent than cognition the sense of experiential reality that is taken for granted. Neurophysiological and experiential culture-invariant evidence indicate the existence of eight (and possibly ten) basic affective states in mammals. These affective states have in humans found expression in mythic terms as well as (...) in the basic themes of world literature. According to classical Indian introspective analysis of aesthetics the basic emotions determine human activity and are the well- spring of literature and art, especially if the emotions become dis- sociated from a sense of egocentricity, i.e. if they become detached from a sense of self so that they no longer are in uenced by ex- istential fear. The comparatively close similarity between Indian aesthetics and the neurophysiology of the different affective states suggests the possibility that such aesthetic value judgments may be based on widespread evolutionary determinants. (shrink)

Dubbed “Nietzsche without his hammer” by literary critic James Wood, the Romanian philosopher E. M. Cioran is known as much for his profound pessimism and fatalistic approach as for the lyrical, raging prose with which he communicates them. Unlike many of his other works, such as On the Heights of Despair and Tears and Saints, The New Gods eschews his usual aphoristic approach in favor of more extensive and analytic essays. Returning to many of Cioran’s favorite themes, The New (...) Gods explores humanity’s attachment to gods, death, fear, and infirmity, in essays that vary widely in form and approach. In “Paleontology” Cioran describes a visit to a museum, finding the relatively pedestrian destination rife with decay, death, and human weakness. In another chapter, Cioran explores suicide in shorter, impressionistic bursts, while “The Demiurge” is a shambolic exploration of man’s relationship with good, evil, and God. All the while, The New Gods reaffirms Cioran’s belief in “lucid despair,” and his own signature mixture of pessimism and skepticism in language that never fails to be a pleasure. Perhaps his prose itself is an argument against Cioran’s near-nihilism: there is beauty in his books. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.2 (2003) 428-435 [Access article in PDF] Agapic Friendship Sharon E. Sytsma ARISTOTLE CATEGORIZED FRIENDSHIP into three types: friendships of pleasure, friendships of utility, and complete (perfect or true) friendships (1156a5-10). 1 The thesis developed here is that Aristotle neglects an important kind of friendship. Various aspects of his theory of friendship have been challenged, but no one has charged that his categorization is incomplete. 2 (...) In what follows, an Aristotelian account of the friendship between James Steerforth and David Copperfield in Dickens' David Copperfield will be given, and then shown to be inadequate. Then a brief account of agapic love will be given and shown to be another basis of friendship—agapic friendship. Finally, the agapic nature of the two young men's friendship will be highlighted. I One might suppose that the friendship between David Copperfield and Steerforth is a mixed form of the three types of friendships identified by Aristotle. There can be no doubt that their friendship was pleasurable and useful to both. The two boys (and later young men) were appreciative of the other's pleasing appearance. David frequently comments on the pleasure attending any kind remark issuing from Steerforth on his own behalf. He admits his pleasure in being "cherished as a kind of plaything in my room," indicating his awareness of Steerforth's pleasure in being with him. Steerforth took great pleasure in David's imaginative and talented storytelling, which David eagerly [End Page 428] used as a "cementing" force in their relationship. Surely, Steerforth also took pleasure in the respect and admiration of his doting schoolmate.Also undeniable is that both friends found each other to be useful. David treasured the gift of Steerforth's protection. Being favored by Steerforth automatically elicited the admiration and envy of the other schoolboys. "No one dared to annoy one whom [Steerforth] honored with his countenance." Steerforth, on his part, found David's storytelling to be a useful antidote to his insomnia.However, David's love for Steerforth went beyond any self-interested concern. David loved Steerforth for his friend's own sake. He stayed up late and rose early to recount and embellish tales, not because he was motivated by self-interest or fear, but only because he "admired and loved him." David perceived Steerforth to be considerate and generous, and he mistook his friend's self-confidence as evidence of nobility of character.These perceptions were hardly objective. David's good nature, generous-mindedness, and youthful naiveté kept him from recognizing the faults in his friend's character, even in the face of ample evidence. Steerforth's cruel streak should have been obvious to David since he witnessed Steerforth allowing another student, the hapless Traddles, to take the blame when Steerforth laughed in church, and his ruthless exposure of Mr. Mell's secret shame of having a mother living on charity in an almshouse. He heard Steerforth's story about how he had "accidentally" thrown a hammer into Rosa Dartle's face. David's uneasiness on these occasions was overcome by his natural generosity of spirit and sense of gratitude. When shocked by a cold and arrogant insult against Little Em'ly's fiancé, Ham, David responds with full confidence: [You may] try to hide your sympathies in jest from me, but I know better. When I see how perfectly you understand them and how exquisitely you can enter into happiness like this plain fisherman's, or humour a love like my old nurse's, I know that there is not a joy or sorrow, not an emotion, of such people, that can be indifferent to you. And I admire and love you for it, Steerforth, twenty times the more! So even though David has an inflated sense of Steerforth's virtue, his thinking of Steerforth as virtuous was integral to their relationship, and that in itself would support thinking of the friendship as based on the good.Given Steerforth's defects of character, one might easily be led to the conclusion that Steerforth loved David only for the pleasure and [End Page 429] benefits of his... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:NOTES AND DISCUSSIONS 167 they regard as the Standard of every Thing, and which they will not submit to the superior Light of Revelation?" (p. 21) is the Hume we have come to accept, Hume the philosopher, Hume the foe of superstition and enthusiasm. Indeed, upon reading the Letter it seems that one must ask himself if Hume;s desire for this position--and the financial security it would offer--has not (...) affected his response. We know that in his later life Hume flatly refused to debate the multitude of clergymen who attacked his works. Not even so respectable a philosopher as Thomas Reid could elicit a public response from him. Why then did he reply to a philosophical scoundrel such as Wishart? Of course, one could suggest that Courts and Kames and perhaps others may have urged Hume to this reply in his own interest. But that, to me, is precisely the point: Why so unusual a concern in just this case, and why one which seems to undercut some of what are thought to be Hume's most daring and creative analyses? These are not rhetorical questions, but queries of importance to those who wish to see Hume and his work whole. The Letter ]rom a Gentleman does shed important light on the Treatise. Professor Mossner was quite correct in his surmise. But I believe that it raises more questions than it answers--and for this reason too we are fortunate that it has been added to the Hume bibliography. DAVZDFATE NORTON Edinburgh, Scotland THE HEGELIAN DANTE OF WILLIAM TORREY HARRIS William Torrey Harris is remembered as the foremost American exponent of Hegelianism; as founder of the Philosophical Society (1866); as editor of the Journal of Speculative Philosophy (1867-93); as U.S. Commissioner of Education (1889-1906); and as founder, with Miss Susan E. Blow, of the first permanent public school kindergarten in America. He also gave Melville Dewey the order of the ten subiect classes of his famous book classification system, and was co-founder of the Library Journal. Harris was born in North Killingsly, Connecticut in 1835. He studied at Phillips Andovcr Academy, and at Yale University, from which he withdrew in his junior year to accept a teaching position in St. Louis, Missouri in 1857. In St. Louis he met Henry C. Brockmeyer, a German immigrant and intellectual, and under his influence began a lifelong commitment to the philosophy of Georg Wilhelm Friedrich Hegel. He states that Hegel's philosophy became the center of all his thinking, but he nevertheless ~vent on to study the works of the other great thinkers, including those of Dante Alighieri. In 1883-84 he gave a series of lectures in St. Louis on Dante, and again in 1886 at the Concord School of Philosophy. These lectures were later expanded and published as The Spiritual Sense o] Dante's Divina Commedia, in Boston, by Houghton in 1889, and reissued in 1896. 168 HISTORY OF PHILOSOPHY The form of the Divina Commedia is a massive triadic structure of written words developed by exhaustive repetition of the terza rima. Structurally it is a development of the concept of The Trinity. The reader who knew not a single word of Italian could not escape having the Trinitarian notion hammered into his consciousness. Harris, however, was more concerned with meaning than form, and so he considered the triadic format a relatively trivial matter. Harris uses the Commedia to illustrate by imaginative representation the dialectic of the Holy Trinity to the American Protestant while explaining it with Hegelian logic. In summary he writes, "The doctrine of the divine form, or the self-activity of the absolute, involves the common nature of man and God, or God as divine human. This is the great central truth (of which the doctrine of the Trinity is the symbol) on which all modern civilization is built, and it is its open secret." Dante's Inferno corresponds with Hegel's logical and ontological level, called "Sein," the realm of abstract-unconscious-being-for-another. The Purgatory corresponds with his level "Wesen," the realm of mediated being in which the self is conscious of its being-in-and-for-another... (shrink)

Richard Rorty is rightly considered one of the most interesting authors in the field of intellectual pursuits. This vague formulation also indicates that Rorty’s thinking and writing cannot simply be classified as philosophy, although by and large they seem to be part and parcel of the pragmatist tradition. For Rorty clearly confronts a number of traditional problems of philosophy, even when he suggest getting rid of the problem by redescribing the issue or changing the perspective. There is...

This paper does not deal with the topic of ‘the generosity of artificial languages from an Asian or a comparative perspective’. Rather, it is concerned with a particular case taken from a development in the Western tradition, when in the wake of the rise of formal logic at the end of the nineteenth and the beginning of the twentieth century people in philosophy and later in linguistics started to use formal languages in the study of the semantics of natural languages. (...) This undertaking rests on certain philosophical assumptions and instantiates a particular methodology, that we want to examine critically. However, that in itself is still too broad a topic for a single paper, so we will focus on a particular aspect, viz., the distinction between grammatical form and logical form and the crucial role it plays in how the relationship between natural languages and formal languages is understood in this tradition. We will uncover two basic assumptions that underlie the standard view on the distinction between grammatical form and logical form, and discuss how they have contributed to the shaping of a particular methodology and a particular view on the status of semantics as a discipline. But before we turn to the topic at hand, a few more words on the general nature of the investigation are in order. Its general aim is to find out how semantics constructs its object, i.e., we are interested in what semanticists view as the proper object of study, how they think this object can best be approached, and how they view the relations between their own undertaking and neighbouring disciplines that deal with related, or even the same kind of phenomena, such as cognitive psychology, cognitive neuroscience, philosophy, anthropology. The background assumption is that, much like in other disciplines, semantics, too, does not have its object of investigation cut out for itself by nature, but constructs it in a complex process that involves empirical elements (‘facts’ being already too dangerous a term), philosophical assumptions, and borrowings.... (shrink)

ResumoAlguns leitores de Nietzsche podem admitir certa dificuldade em reconhecer os limites entre a crítica, a genealogia e o filosofar com o martelo. Tais limites existem e podem ser delineados se buscarmos o elemento no qual cada uma dessas investidas atua. Este artigo procura elaborar a ideia de que a noção nietzschiana de crítica envolve o desprezo afirmativo, o riso e a zombaria. Ligada, portanto, a uma condição valorativa, a crítica é mais ofensiva, exigente e assumidamente tendenciosa do que se (...) poderia conceber a partir da tradição kantiana.AbstractSome readers of Nietzsche may admit some difficulty in recognizing the boundaries between criticism, genealogy, and philosophizing with the hammer. However, such limits exist if one seek the element that produces each one. This article tries to elaborate the idea that the affirmative contempt, laughter, mockery, for Nietzsche, defines the critic. Related, therefore, to an evaluative (and physiological) condition, criticism is more virulent, offensive, demanding and biased than one might think from a Kantian tradition. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Aspirations for Modernity and Prosperity: Symbols and Sources behind Pentecostal/Charismatic Growth in Indonesia ed. by Christine E. Gudorf, Zainal Abidin Bagir, and Marthen TahunEmily DubieAspirations for Modernity and Prosperity: Symbols and Sources behind Pentecostal/Charismatic Growth in Indonesia Edited by Christine E. Gudorf, Zainal Abidin Bagir, and Marthen Tahun ADELAIDE, SOUTH AUSTRALIA: ATF THEOLOGY, 2014. X 1 231 PP. $34.95In Aspirations for Modernity and Prosperity, the authors and (...) editors survey the outcomes of a two-year study on Indonesian Pentecostal and Charismatic Christianity. Considered likely to be the fastest-growing form of Christianity, Pentecostal and Charismatic (P/C) movements embrace more than half a billion adherents globally. This volume contributes to recent scholarly attention on this expansion and its social characteristics through the study of 270 churches across five major Indonesian cities.With funding from the Pentecostal and Charismatic Research Initiative at the University of Southern California, seven of the eight essays are authored by [End Page 216] Indonesian researchers. The chapters consider a wide range of P/C characteristics: its liturgical contours, spirituality, sociological makeup, understandings of sex and gender, the organizational history of affiliated synods, and relations with non-P/C Christians and Muslims. While the articles draw on English-language P/C scholarship in only a limited way, they frequently cite publications in Bahasa, making accessible to the English-speaking world materials otherwise unavailable.The title of the book suggests the unifying premise of the collection: ambitions for modernity and prosperity fuel the rapid growth of P/C Christianity in Indonesia. As indicative of these motivations, the authors point to P/C professionalism, technological savviness, use of English, celebration of financial success, inattention to ethnic identities, and connections with global Christianity. Ubed Abdilah Syarif makes the strongest case for this argument in chapter 4, drawing on interviews with pastors and their account of the P/C "theology of success."The collection considers the ethics of P/C Christians only in passing. With the Muslim majority, P/C Christians share numerous moral restrictions, including on alcohol, smoking, bribery, and pornography. When prohibition does not direct moral action, P/C Christians navigate daily life with pragmatic flexibility, intuitions, and direct communication with God (40–43). These brief observations signal the need for a deeper understanding of P/C moral reflection and its constructive contributions to Christian ethics.Further, the recent turn to fieldwork in Christian ethics makes this book instructive for how it illuminates the difficulties accompanying qualitative methods. As the preface notes, the non-P/C religious identities of the Indonesian researchers slowed gaining access to pastors and congregations (viii, 4, 8–9). Beyond this passing admission, the authors spend little time considering their relationship with their object of inquiry. The tone throughout proceeds as description with the most remarkable field experiences going unexamined. To illustrate, Y. Agus Heru Santoso recounts her participation in a revival meeting: "Spontaneously, I, too stood up, sang the song, and started to pray in a language I have never learnt nor heard. … I am not and never have been P/C" (50). Despite the reader's immediate interest, Santoso continues in a disinterested tone. A more reflexive consideration of the perplexities of participant observation, with its disorienting plunge into the informants' world, would have deepened the readers' understanding of P/C experience.A further methodological challenge is found in the periodic dissonance between the authors' interpretations and P/C Christians' own utterances. This is most evident in chapter 2 where Johanes Louis M. Lengkong attributes the rapid growth of P/C Christianity to an aspiration for status and "global Christian citizenship" (29). Yet this reoccurring claim appears predominantly based [End Page 217] on the author's own inferences rather than on survey and interview data. While the concluding analysis may be correct, the subtle yet systematic dismissal of alternative emic explanations requires further defense.Despite these shortcomings, the articles shed valuable light on the shape of Indonesian P/C Christianity through examination of a variety of aspects. The volume thus forms an engaging resource on a very significant stream of world Christianity that merits greater attention in the field of Christian ethics. [End Page 218... (shrink)

We find ourselves in a media-intensive milieu comprising networks, images, sounds, and text, which we generalize as data and metadata. How can we understand this digital milieu and make sense of these data, not only focusing on their functionalities but also reflecting on our everyday life and existence? How do these material constructions demand a new philosophical understanding? Instead of following the reductionist approaches, which understand the digital milieu as abstract entities such as information and data, this article proposes to (...) approach it from an embodied perspective: objects. The article contrasts digital objects with natural objects (e.g., apples on the table) and technical objects (e.g., hammers) in phenomenological investigations, and proposes to approach digital objects from the concept of “relations,” on the one hand the material relations that are concretized in the development of mark-up languages, such as SGML, HTML, and XML, and on the other hand, Web ontologies, the temporal relations that are produced and conditioned by the artificial memories of data. (shrink)

We find ourselves in a media‐intensive milieu comprising networks, images, sounds, and text, which we generalize as data and metadata. How can we understand this digital milieu and make sense of these data, not only focusing on their functionalities but also reflecting on our everyday life and existence? How do these material constructions demand a new philosophical understanding? Instead of following the reductionist approaches, which understand the digital milieu as abstract entities such as information and data, this chapter proposes to (...) approach it from an embodied perspective: objects. The chapter contrasts digital objects with natural objects (e.g., apples on the table) and technical objects (e.g., hammers) in phenomenological investigations, and proposes to approach digital objects from the concept of “relations,” on the one hand the material relations that are concretized in the development of mark‐up languages, such as SGML, HTML, and XML, and on the other hand, Web ontologies, the temporal relations that are produced and conditioned by the artificial memories of data. (shrink)

Despite the fact that they play a prominent role in everyday speech, the representation and processing of fixed expressions during language production is poorly understood. Here, we report a study investigating the processes underlying fixed expression production. “Tip-of-the-tongue” (TOT) states were elicited for well-known idioms (e.g., hit the nail on the head) and participants were asked to report any information they could regarding the content of the phrase. Participants were able to correctly report individual words for idioms that they could (...) not produce. In addition, participants produced both figurative (e.g., pretty for easy on the eye) and literal errors (e.g., hammer for hit the nail on the head) when in a TOT state, suggesting that both figurative and literal meanings are active during production. There was no effect of semantic decomposability on overall TOT incidence; however, participants recalled a greater proportion of words for decomposable rather than non-decomposable idioms. This finding suggests there may be differences in how decomposable and non-decomposable idioms are retrieved during production. (shrink)

Dubbed “Nietzsche without his hammer” by literary critic James Wood, the Romanian philosopher E. M. Cioran is known as much for his profound pessimism and fatalistic approach as for the lyrical, raging prose with which he communicates them. Unlike many of his other works, such as _On the Heights of Despair_ and _Tears and Saints_, _The New Gods_ eschews his usual aphoristic approach in favor of more extensive and analytic essays. Returning to many of Cioran’s favorite themes, _The New (...) Gods _explores humanity’s attachment to gods, death, fear, and infirmity, in essays that vary widely in form and approach. In “Paleontology” Cioran describes a visit to a museum, finding the relatively pedestrian destination rife with decay, death, and human weakness. In another chapter, Cioran explores suicide in shorter, impressionistic bursts, while “The Demiurge” is a shambolic exploration of man’s relationship with good, evil, and God. All the while, _The New Gods _reaffirms Cioran’s belief in “lucid despair,” and his own signature mixture of pessimism and skepticism in language that never fails to be a pleasure. Perhaps his prose itself is an argument against Cioran’s near-nihilism: there is beauty in his books. (shrink)

What things mean to us involves more than what they afford in a straightforward sense (e.g., motor affordances). One can think of bodily adornments, lines, or precious stones. Differently from tools like hammers, these things are used to be displayed, watched etc. The paper investigates this very important feature of human behaviour, focusing especially on the expressive possibilities, or salience, of tools. This is interpreted as an emergent property of our engagement with tools, for which tools matter to us because (...) of what they show, not just because of what we do with them in a strict sense. A phenomenological approach is obtained by building upon Heidegger's view of tools as structured by implicit “indications” of relevance; this approach is developed by engaging with debates on mark making, stone tools, and aesthetic experience. It is argued that the salience of things is a process where indications of relevance become explicit and relatively distanced from motor affordances; this alliance of explicitness and absence of action allows for things to "resonate" in us, inviting us to see tools as invitations to imagine, think, and remember. The paper considers examples of entanglements of salience and affordances, where tools and techniques shape symbols and imaginaries. (shrink)

In this article I discuss the prosthetic phenomenon during the First World War and Weimar Germany. As opposed to contemporary trends, with their inflationary use of the ‘prosthesis’, sometimes even hypothesizing ‘prostheticization’ as a paradigm, I seek to return the debate about the prosthesis to its historical concreteness. I describe the phenomenology of the prosthesis in three senses: first, in the statistical sense, in the form of a dramatic growth in the number of prostheses; second, in the visual sense, in (...) the form of a dramatic growth in the visibility of the prosthesis. Basing myself on the Heideggerian perception of the ‘phenomenon’, I seek to reveal an additional, third, aspect of the phenomenology of the prosthesis. It is my contention, against the background of the major catastrophe of the First World War and the frequent crises that afflicted Weimar Germany, but also in the light of additional contexts — technological, economic, cultural — that the prosthesis was increasingly perceived as a phenomenon, i.e. as something which appeared in a wide range of ways — as prosthesis, as tool (hammer, writing instrument), as an organic limb (hand, leg), and even as a paradigm (man as ‘prosthetic God’, man as ‘Dasein’). (shrink)